Blues
Guitar Instruction
If you want to take some blues guitar instruction, you can do so on either
electric or acoustic guitar. You can also play with a pick or with finger style. What you will want
to master in your blues guitar instruction is the twelve bar blues chord progression, dominant
seventh type chords that are a big part of the blues sound, and the blues scales that go with these
chords for creating solos. In this article we will cover the basics of the twelve-bar blues chord
progression.
Within the blues guitar instruction there are many different sub-genres. We often
categorize these different styles into five basic groups: Delta Blues, Chicago Blues, Texas Blues,
Rock Blues, and Jazz Blues. At the heart of all these styles, however is the twelve bar blues
progression. The basic progression is shown below in the key of G, an extremely guitar friendly
key.
|
G | G | G |
G |
C
| C | G |
G |
D7 | D7 |
G | G
||
|
The twelve-bar blues as presented here is distilled to its essence.
Three four-bar phrases in four-four time, using major chords only, with a dominant seven chord in
the third phrase. You can use this progression for pretty much any style of blues guitar
instruction, including Country Blues. Measures nine and ten, however, might raise a few eyebrows.
Just think of this progression as a template to use for creating more interesting variations. Let's
adjust the third phrase to give it a more traditional blues feel.
That sounds a little better! Staying in the third phrase, if you are playing more
than one chorus use a D7 chord in the last measure. This will help lead into subsequent
choruses.
|
D7 |
C | G | D7 :||
← choruses 1, 2 ...
D7 | C | G |
G || ← last
chorus
|
We can also make a simple adjustment in our blues guitar instruction to the second
measure of the first phrase to make the progression a little more interesting. Here are the
complete twelve measures again with our adjustments:
|
G | C
| G | G
|
C |
C | G | G
|
D7 | C | G |
D7 :||
| G
||
|
We have now built up our original progression to what most musicians would
consider a standard twelve-bar blues. Although its good as it is, if we want to bluesy up the sound
a little more, we can use dominant seventh chords throughout, G7 for G, and C7 for
C.
Once you have a thorough understanding of this chord progression with our blues
guitar instruction, you should learn a few basic variations. We are again going to play with the
third phrase, turning it into a basic jazz version of the blues with a II7-V7 pattern. In G this
translates into the chords Am7 and D7:
|
G7 | C7 |
G7 |
G |
C7 | C 7
| G7 | G7 |
Am7 | D7
| G7 | D7 :||
| G
||
|
This is still the blues, but now it has a slightly different feel. To jazz it up
even more, change the C7 and D7 chords to C9 and D9 chords. Now we're swinging like the
masters!
I hope you have enjoyed this brief introduction blues guitar instruction and the
twelve-bar blues. Take the time to transpose the above progressions to other keys, especially C, E
and A and play around with the chords a bit. For you jazz players, don't forget the keys of B-flat
and F.
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